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It was in that kind of setting that the recordings above were made, and they constitute a windfall.A fortunate, unique record of cultural history, with songs of joy and pride and common woes. Segura Brothers tearing it up on accordion and vocal, from a December 16, 1928 session in New Orleans!Cleoma Falcon with her brother Clifford Breaux are heard on a couple of "American" tunes, J'Suis Partis sur le Grand Chemin Tres Disatisfe (Going Down the Road Feeling Bad), and Continuez Sonner (Keep Knocking but You Can't Come In)!It just goes to show how Cajun music in the 20s and 30s was a real melting pot of styles and influences.Lomax made a field trip to southwest Louisiana in 1934, where he recorded Wayne Perry.He also recorded Edier Segura's playful tune, Joe Feraille, sung with a fiddle accompaniment, c'est tout!He was the first to record the Lake Arthur Stomp under that title. ) Lafleur, later Moise Robin, on accordion is thought to be the second Cajun musician to record. Here we feature some of his later recordings with his string bands the Rhythm Boys and the Four Aces.Authorship of the Lake Arthur Stomp is ascribed to the remarkable fiddler Varise Conner, whose music is featured in a tribute earlier on this Web site. Frankie and Johnny, popularized by Jimmie Rodgers, gets an instrumental treatment with a lot of attitude!
And the Library of Congress had a mandate to go everywhere and record the story of the music people made when it looked to some like the world was going to end in the Great Depression, dust storms at home, and a world war brewing abroad!Ever since the 1970s I was aware of recorded Cajun and Creole music from the 1920s and 30s through an outstanding series of lps (long-playing records) on the market by the Arhoolie Records label.I will always be grateful to producer Chris Strachwitz for making that music available! Some of these remarkable lps are still available from the Arhoolie Web site, with these titles: Louisiana Cajun Music Volume 1, First Recordings (OT108); Louisiana Cajun Music Volume 2, The Early 30s (OT109); Louisiana Cajun Music Volume 3, The String Bands of the 1930s (OT110); Louisiana Cajun Music Volume 4, The 30s to the 50s (OT111); Louisiana Cajun Music Volume 5, 1928-1938 (OT114); Amade Ardoin, His Original Recordings 1928-1934 Volume 6 (OT124); Leo Soileau, Louisiana Cajun Music Volume 7 (OT125).Martin, an early version of the popular Choupique Two Step associated with Nathan Abshire.Columbus "Boy" Fruge from Arnaudville was a contemporary and friend of Moise Robin.); and Chere Yeux Noirs, not to be confused with 'Tit Yeux Noirs by Lawrence Walker.Guidry Brothers do La Valse du Mariage (also reprised by Les Freres Michot! Leroy "Happy Fats" Le Blanc of the Rayne community led a little string band called the Rayne Bo Ramblers through Les Filles de St.The Hackberry Ramblers were formed in the string band environment of the 1930s by Luderin Darbonne on fiddle and Edwin Duhon on guitar and various instruments, and an amazing vocalist named Lennis Sonnier.They were the first to record the song Jolie Blonde under that title, and they had an a remarkable run of popularity.Jack Leger and the Cajun All Stars, Lanor 45s, circa 1975.He sometimes played accordion for the KEUN Mamou Hour Cajun Band led by Sady Courville when Revon Reed was the host from Fred Tate's. Playing frottoir and singing with Ambrose Thibodeaux on accordion, live 1977 from Fred's Lounge in Mamou, Les Haricots Sont Pas Sales.