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Archie later discovers that his macho drinking buddy is gay and proud of it. Cast: Matthew Modine, Alan Alda, Phil Collins, Richard Gere, Anjelica Huston, Steve Martin, Ian Mc Kellan, Lily Tomlin, Glenne Headly, Swoosie Kurtz, Richard Masur, Saul Rubinek, Charles Martin Smith, B. Nothing shakes Roy's lack of empathy: even on his death bed, he's fighting with his gay nurse and taunting the woman he helped put to death, Ethel Rosenberg.
(Also contains two other espisodes: Gloria discovers women's lib, and Gloria poses in the nude.) 1971. The other patient is Prior Walter, who is visited by an angel and deserted by his self-pitying lover, Louis. Contents: Fireworks (1947, 15 min.) -- Puce moment (1949, 6 min.) -- Rabbit's moon (La lune des lapins) (1950, 16 min.) / Puck Film Productions -- Eaux d'artifice (1953, 13 min.) -- Inauguration of the pleasure dome (1954, 38 min.).
And when Algie announces his departure from the West, to return to his bride, Big Jim assumes a posture of childlike sadness.
It appears that Jim, not Algie, is the more romantically inclined.
Eaux d'artifice portrays hide and seek in a night-time labyrinth of levels, cascades, balustrades, grottoes and fountains.
Even more astounding, she wove into this cartoonish story strands of heartfelt emotional yearning that continue to resonate almost a century later." [Bret Wood, TCM] Barrios, Richard.
"Silent Existences." In: Screened out : playing gay in Hollywood from Edison to Stonewall / Richard Barrios. pp: 17-18 (Main (Gardner) Stacks; Moffitt; PFA PN1995.9. Cast: Carroll O'Connor, Jean Stapleton, Rob Reiner, Sally Struthers. Cast: Paul Reynolds, Phillip Williamson, Dave Baby, Timothy Burke, Simon Costin ... Fourteen of Shakespeare's sonnets are taken as a basis for a rapturous celebration of homoerotic love in both its spiritual and sensual dimensions. Cast: Al Pacino, Meryl Streep, Emma Thompson, Mary-Louise Parker, Jeffrey Wright, Justine Kirk, Ben Shenkman, Patrick Wilson, Brian Markinson, James Cromwell.
The triumph of Algie the Miner is not that Guy-Blaché made a Western with an evidently gay protagonist.
Her true achievement was that she managed to tell this tale with broad comedy, without insulting its central character.